Clipper Ships, The Beginnings

I have again drawn heavily from bibliography the book, Eighty Days to Hong Kong to paint this picture. This section is from Chapter One by Mister Heatter. I expect to return to this book again and again.


Begin With a Dream

The clippers began with a dream, a dream spurred on by the Industrial Revolution and fitting enough, for a young nation that had not yet begun to spread its maritime wings. We had ships, of course, but they were only copies of the cumbersome British sailing ships that were accepted as the last word in their day.

Since the British shipowners already enjoyed a major share of the world's trade, they were not prepared to gamble time or money in developing a new breed of ship. That was left to the younger nation across the sea. America could not compete in terms of money or tonnage with the British ships and so was forced to come up with a revolutionary idea-something so brilliantly new that the only word to fit it is genius.

Nat Palmer, the First Part of the Beginnings

Nat Palmer was from Stonington, Connecticut, a village tucked away in a cleft on the Connecticut shore. In Nat Palmer's day it was a shipbuilding center for the great square-rigged ships that went out to the ends of the world. Stonington made its living from the sea, so the thoughts of young people naturally turned in that direction.

As Nat Palmer grew up he was obsessed with the idea of sailing a ship faster and closer to the wind than had been thought possible. Most young fellows in Stonington felt the same way, for the town then thought of little else but fast and weatherly ships.

After the War of 1812 it was apparent to every American seaman that there was a need for faster ships that could outrun any combination of enemy naval vessels. Thus was born the idea of speed under sail. And born too, in the mind of young Nat Palmer, was the dream of a new type of ship altogether.

Before he was twenty, Nat Palmer was already a full-fledged captain, in command of the coastal schooner Galena. When no opportunity came for a more adventurous command, he voluntarily demoted himself and signed as second mate on board the Hersilia, a brig bound for the mist-shrouded sealing islands off the top of South America.

He was credited with having the keenest eyesight of anyone on the seven seas. Palmer spied land where no other man had seen it and led the ship to a previously uncharted island.

Palmer was offered the command of a small and elderly boat for the next seal-hunt. He jumped at the chance. Three months later, Palmer's logbook was to disclose that he had become the first sailor since Columbus to discover an entirely new continent.

During a blinding snowstorm, Palmer sought shelter from the furious winds and found it in a most curious harbor. The place was Deception Island, and Palmer, with his astonishing eyesight, saw what no man had ever seen before-a tiny slit in the rocky walls. Without hesitation he sailed his sloop smack into the mouth of the jagged entrance-not much wider than his little ship-and found himself in a beautiful, completely sheltered harbor more than five miles in diameter. What was even more astonishing was the fact that both water and air inside this curious place were warm.

They spent two days there while Palmer made obserrvations and navigational records for his logbook. It was then that he saw a mere smudge on the southern horizon. He thught it might be additional land and at once set sail for it.

It turned out to be the portion of Antarctica now known as Palmer Peninsula. It was not supposed to be there. Nothing was. Palmer had discovered a new continent.

In the years that followed, Palmer commanded a variety of ships in different parts of the world. He continued to think of the various factors that might make for a better ship.

He commanded a packet ship on the New Orleans to New York run. These were meant to carry cotton bales. As a result they were built almost like cotton bales themselves, with a wide, nearly flat bottom. The surprising thing about these packets was that instead of being slow, they were surprisingly fast. Palmer's curiosity was aroused.

Conventional ship design wisdom held that the hull had to be built with a sharp V bottom, in theory the sharper the V, the faster the ship. Palmer began to think otherwise and said so. No one would listen to him.

The New Englanders had already discovered that a long, narrow ship would go faster than a short, fat one. Nat Palmer aimed to marry these regional discoveries together.

Palmer was neither a shipbuilder nor a marine architect. What was necessary now to produce the nearly perfect ship was a coalition of all of these forces, founded on the rock-solid bae of Palmer's vast practical experience. What was necessary also was money, and it was here that the next piece of the puzzle drops into place.

Edward Collins, the Second Part of the Beginnings

Edward Collins was even younger than Palmer. He owned a large and successful shipping company by the age of thiry-two. Nat Palmer was three years his senior. They met and immediately took a liking to each other and their trust and confidence were to continue through long years of association.

Once Collins was convinced that Palmer's vision of a ship was sound, Palmer drew up the rough lines of what he considered to be the ideal ship.

The problem that remained was to find an architect whose ideas coincided with Palmer's and could convert those rough drawings into the smoothly flowing lines of a real ship.

John Willis Griffiths, the Third Part of the Beginnings

Griffiths was a brilliant young designer with revolutionary ideas of his own, ideas so far removed from traditional ship design that few owners were willing to take a chance on him. Clearly Griffiths was the man for Collins and Palmer.

Donald McKay, the Fourth Part of the Beginnings

One thing more was needed: a shipbuilder. Few builders of the day were willing to risk their reputations on the new designs. Suppose the ships were failures? The builder, ultimately, would have to share the responsibility. What was needed then was a competent young shipwright without too great a reputation to lose-one with imagination enough to share in the excitement of the new ideas. At last such a one was found, a young man named Donald McKay who was later to play what was perhaps the greatest role of all in the development of the new ships.

The Common Denominator of the Beginnings

What these four men-Palmer, Collins, Griffiths, and McKay-had in common was youth. Nat Palmer, the eldest, was then thirty-seven. Griffiths was ten years younger and McKay was only twenty-six. And one other thing too they shared-the dream, a dream of great, fast, beautiful ships such as the world had never seen. It was a dream that was to come true in their lifetimes, and fade again as quickly as it had come.

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